When writing, there are some scenes that are emotionally overwhelming. They completely overcome the author, and only when they do this can they cause a similar reaction in the reader.
Through this, the author gets to experience multiple lives. If a character's life flashes before their eyes, it flashes before the author's eyes too, and he or she remembers it as his or her own.
With reading, we get to live other lives vicariously, and this is doubly so with writing. It is like a lucid dream, where we guide the outcome. In this, we don't merely write *about* a character -- we momentarily *become* them, and walk as they walk, think as they think, and do as they do. When we return to our own life, we might return a little shaken, likely a little stronger, hopefully a little wiser.
What is certain is that we return better, because experiencing the lives of others makes us understand their aims and dreams, their fears and foils, the challenges and difficulties, and joys and triumphs, that they face. It helps us grow and empathise, and see all the little pictures that make up the bigger one we see from the omniscience of the narrator.
Thus I progressed on the surface of life, in the realm of words as it were, never in reality. All those books barely read, those friends barely loved, those cities barely visited, those women barely possessed! I went through the gestures out of boredom or absent-mindedness. Then came human beings; they wanted to cling, but there was nothing to cling to, and that was unfortunate--for them. As for me, I forgot. I never remembered anything but myself.
Parla come magni,' It means, 'Speak the way you eat,' or in my personal translation: 'Say it like you eat it.' It's a reminder - when you're making a big deal out of explaining something, when you're searching for the right words - to keep your language as simple and direct as Roman rood. Don't make a big production out of it. Just lay it on the table.
Akan ada satu saat kamu bertanya: pergi ke mana inspirasiku? Tiba-tiba kamu merasa ditinggal pergi. Hanya bisa diam, tidak lagi berkarya. Kering. Tetapi tidak selalu itu berarti kamu harus mencari objek atau sumber inspirasi baru. Sama seperti jodoh, Nan. Kalau punya masalah,tidak berarti harus cari pacar baru kan? Tapi rasa cinta kamu yang harus diperbarui.Cinta bisa tumbuh sendiri,tetapi bukan jaminan bakal langgeng selamanya,apalagi kalau tidak dipelihara. Mengerti kamu?"
-Nasihat Poyan pada Keenan suatu hari
There comes a time in your life, when you walk away from all the drama and people who create it. You surround yourself with people who make you laugh. Forget the bad and focus on the good. Love the people who treat you right, pray for the ones who do not. Life is too short to be anything but happy. Falling down is a part of life, getting back up is living.